REBUILDING THE SPURS
In 2015 Josh Echo-Hawk was hired by the San Antonio Spurs to lead a total overhaul of their production process. They were in the process of upgrading their displays and control room.
Josh and team did a total re-make of in-game content, re-evaluated the staffing, hired a new gameday video director, and re-worked the production process from the ground up.
This was a massive project that culminated in a flawless opening night, and a better production environment.
RYDER CUP 2018
Josh and his entire team (plus a few extra!) led the production efforts for GoVision at the 2016 Ryder Cup. This included hiring the production staff, securing mobile facilities / TV truck, planning all the needed production, and developing a massive amount of content.
One of the biggest challenges was developing a plan that looked like a seamless production between TV coverage and videoboard coverage.
Additionally, months were spent in coordinating the content — including working closely with NBC / Golf Channel to build an entire graphics package.
BOEING FIRST FLIGHT
We’ve done a lot of live shoes before, but this one felt extremely LIVE, as it had to have two separate production units contributing to one live broadcast.
A massive amount of custom production work went into making sure the coverage was seamless.
The biggest challenge was a massive array of wireless RF at 2 different (and simultaneous!) commercial airpots — not a cable-friendly environment!
This was definitely one of the coolest and most challenging projects we have done – very rewarding.
We manage the production content, motion graphics, and sponsorship elements at client venues. We provide staff, creative/content and tech teams, and offer crewing and payroll services.
Our job is to make sure the Game Day Crew is ready to execute the script, and the show has a visual component. We develop content that looks, great, is built to the right technical specs, and entertains the fans while elegantly promoting key sponsors.
AEROSMITH on CBS
We handle high pressure projects very well — our team is very experienced and we know how to deliver a good production.
This project was another production for GoVision, which was a combination of live camera switching for the concert, and an overnight edit (with Sir Steven Tyler himself) to prepare a 5.1 Surround Master to air on CBS the following afternoon.
In-game graphics package for videoboard display at Memorial Stadium.
ASU GRAPHICS PACKAGE
In-game graphics package for videoboard display at ASU
We produced the in-arena graphics package for the UFC 200 event in T-Mobile Arena, in Las Vegas.
The package was delivered on short notice, following UFC brand standards, and built to the exact requirements of the T-Mobile Arena Click Effects systems.
We produced the in-arena graphics package for the Boston Bruins.
We worked toward the theme of “THE BRUINS ARE BOSTON” — and took countless photos of iconic themes around the city of Boston (lamposts, parking meters, buildings, bridges, fire hydrants, etc) and incorporated an “old/vintage poster” feel to the package.